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All Saints’ Day 1945:  New Eras and the End of Old Ways

10/29/2015

2 Comments

 
Final part in a five-part series of All Saints' Day celebrations in New Orleans history.
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November 1945:  six months after victory in Europe and three months since the bombing of Hiroshima and Nagasaki. In New Orleans as much as elsewhere, communities recovered from four years of total war.  In the weeks leading up to All Saints’ Day, preparations for those who died overseas was a topic of discussion.  Many of these soldiers would not come home at all.  

The American Battle Monuments Commission, which had been founded in 1923, would establish fifteen foreign monuments and cemeteries in Europe, the Pacific, and Tunisia to memorialize fallen soldiers.  In April of 1945, the war department announced 5,335,500 newly available burial plots in 79 existing and new cemeteries.[1]  This number seems enormous until we remember that 16.1 million Americans served in World War II.  About 300,000 died in service.
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Lining up at the rationing board office, Gravier Street, 1943. Photo by John Vachon, Library of Congress.
At home, New Orleans was transitioning from the frugal, rationed lifestyle of total war into a booming industrial economy.  On Halloween, newspapers noted repeatedly that bedsheets, which had been rationed during wartime, would be scarcely available for children’s costumes.[2]  Conversely, the enormous technological advances made during World War II in the fields of construction and finish materials reflected strongly on tomb care.[3]

​In the past, tombs were finished with limewash and patched with lime-based plaster.  When the industry of military-oriented materials wound down in the mid-1940s, advances made during wartime were turned to domestic use.  Latex paint, Portland-cement based concrete, and other materials. 
As early as mid-October 1945, hardware stores advertised items specifically for tomb care, including “Rock-Tite cement paint, which…is waterproof, tends to seal tomb corners, and lasts for years.”  In many cases these materials were ultimately harmful to soft lime-stucco and brick tombs.  Yet 1945 heralded a long (and ongoing) boom of new, strong, and user-friendly materials that would widely be seen in New Orleans cemeteries.
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1941 Advertisement, National Paint, Varnish & Lacquer Association Inc. Library of Congress.
This technological and cultural boom contrasted with some of the oldest cemeteries in the city, which were seen as outdated and, at worst, nuisances.  Such was the case for Girod Street Cemetery.  The Protestant cemetery, founded in 1822, had long been considered an eyesore.  As early as the 1880s, the state government of Louisiana considered closing the low-lying cemetery altogether.  By the 1940s, its condition was such that cemetery authorities took action.
 
In 1945, officials at Christ Church Cathedral conducted a survey of Girod Street – “the first Protestant burial ground in the Lower Mississippi Valley" – and concluded that “some 1000 of the old vaults and tombs in which many of the city’s prominent and wealthy families were buried are a menace to public health.[4]”
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from New Orleans Times-Picayune, October 23, 1945. New Orleans Public Library.
Each of these vaults and tombs was marked on All Saints’ Day 1945, and posted with a notice to families that the tombs must be repaired within 60 days.  If no action was taken, said the city public health department, the tombs must be demolished.

Reports from the sexton of Girod Street Cemetery suggested that as many as forty families did respond to the notices.  However, it was too late for Girod Street Cemetery.  The burial ground was deconsecrated in 1957 and demolished.  The remains of white bodies were re-interred in Hope Mausoleum, and burials of African Americans were interred at Providence Memorial Park.

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The tomb of Angelica Monsanto Dow once stood at the entrance of Girod Street Cemetery. Dow, who died in 1821, was a member of New Orleans' first prominent Jewish family. She converted to Protestantism after the Monsantos were expelled from Louisiana in 1769. She later returned to the city with her husband.
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Providence Park Memorial to remains moved from Girod Cemetery, 1957. Photo from Nola.com.
​All Saints’ Day 1945 was, then, a pivotal moment in New Orleans cemetery history in many ways.  It was the first death knoll of an oft-troubled burial ground.  It was a harbinger of new technologies that would lead to the modern cemetery architecture we see today.  It was also a day of profound mourning for those lost in a war finally won.  
​[1] “Move to Return War Dead Begun,” Times-Picayune, April 5, 1945, 27.
[2] “Orleanians Plan Halloween Observance in Usual Style,” Times-Picayune, October 31, 1945, 4.
[3] “Up and Down the Street,” Times-Picayune, October 11, 1945, 34.
[4] “Threaten Razing of Vaults, Tombs,” Times-Picayune, October 23, 1945, 12; “Girod Cemetery Inspected,” Times-Picayune, October 30, 1945, 5.
2 Comments
Herman
11/3/2015 04:23:47 pm

A succinct and well thought out history of the war era cemetery. I was especially moved by the last paragraph.Thank you.

I am researching beaded wreaths and Immortelle, You referenced the Times-Picayune from the 1940s. Do you know if these issues are available to read on line?

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Emily Ford link
11/3/2015 07:37:20 pm

Herman, thanks so much for the kind words.

Immortelles are very interesting! They had sort of fallen out of popularity by the 1940s but even then they were around a bit. The Historic New Orleans Collection has a number of them in their repository. HNOC has also digitized the photographs of Clarence John Laughlin, which include some beautiful photos of immortelles in cemeteries, taken around the 1960s.

The Times-Picayune is digitized and searchable. If you have a New Orleans Public Library card, you can access the database here: http://lalibcon.state.lib.la.us/. If you do not, it is accessible at nola.com/t-p for a subscription fee.

Good luck with your research!

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    ​About the Author:

    Emily Ford owns and operates Oak and Laurel Cemetery Preservation, LLC.  

    In addition to client-directed research, she meanders through archives and cemetery architectural history. 

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